Amelia Goldsby, Gulnar Bosch Travel Award, SECAC (formerly the Southeastern College Art Conference)

• Matthew P. Bowman, Graduate College Post-Comprehensive Research Fellowship, Fall 2022
• Rachel Epstein, Graduate College Post-Comprehensive Research Fellowship, Fall 2022

• Zhen (Tina) Zhang, “Changing the Narrative: Li E’s Reinterpretation of Southern Song Academy Painting,” 71st Midwest Conference on Asian Affairs (MCAA), September 16-18, 2022, Lawrence, Kansas
• Amelia Goldsby, “Future Follies: Marjetica Potrč's Case Studies of Informal Settlements in Caracas,” SECAC (formerly the Southeastern College Art Conference), October 26-28, 2022, Baltimore, Maryland

• Matt Bowman, Humanities for the Public Good internship with Iowa City Area Business Partnership
• Amelia Goldsby, Humanities for the Public Good internship with Public Space One

• Zhang, Zhen. “Designing the Ice-Crack Pattern of Traditional Chinese Windows.” Nexus Network Journal 25, 961–984 (2023)

• Matthew P. Bowman, Review of Western Art, Western History: Collected Essays, by Ron Tyler. The Western Historical Quarterly 53 (Summer 2022): 197-198.
• Matthew P. Bowman, Review of Framing First Contact: From Catlin to Russell, by Kate Elliott. South Dakota History 52 (Summer 2022): 185-186.
• Jessica Davis, “War of the Vulva: The Women of Otto Dix’s Lustmord Series,” in German #MeToo: Rape Cultures and Resistance, 1770––2020, edited by Elisabeth Krimmer and Patricia Anne Simpson, 145 - 170. Rochester: Camden House, 2022. 
• Matthew P. Bowman, Review of Shifting Grounds: Landscape in Contemporary Native American Art, by Kate Morris. Native American and Indigenous Studies Journal 8.1 (Spring 2021): 201-203.  
• Matthew P. Bowman and Robert Schwaller. “Capturing the Quotidian: Casta Paintings and Demographic Trends in Late Colonial Mexico.” Colonial Latin American Review 30 (2021): 423-444. 
• Monica Vree, Review of Notre-Dame of Amiens: Life of the Gothic Cathedral by Stephen Murray, Comitatus: A Journal of Medieval and Renaissance Studies 52, no. 52 (2021): 275-277. 

Erin Daly, Gladys Krieble Delmas Foundation Travel Award for Study on Venice and the Veneto

• Erin Daly, SAAH Art History Summer Scholar Research Award, Summer 2022
• Myat Aung, SAAH Art History Summer Scholar Research Award, Summer 2022
• Rachael Maxon, Graduate College Post-Comprehensive Research Fellowship, Spring 2022
• Rachael Maxon, Graduate College Summer Fellowship, Summer 2022 
• Erin Daly, T. Anne Cleary International Dissertation Research Fellowship, Summer 2022
• Myat Aung, GSS/Graduate College/OVPR Research Grant, Summer 2022
• Isabel Baldrich, Graduate College Post-Comprehensive Research Fellowship, Fall 2021 
• Alisha Sanders, Graduate College Post-Comprehensive Research Fellowship, Fall 2021

• Matthew P. Bowman, "Before Glacier National Park: Native Displacement in J. H. Sharp's Blackfeet Landscapes," Beyond Borders: Visualizing Diaspora, Displacement and Dispossession, Tufts University Graduate Symposium in the History of Art & Architecture, April 1-2, 2022, Tufts University, Medford, MA (Zoom). 
• Erin Daly, "The Deadly Magic of Poisonous Blood: Gustave Moreau’s Hercules and the Lernaean Hydra," Nineteenth-Century French Studies Annual Colloquium, October 28-30, 2021, Washington, DC.

Elizabeth Spear, "Views from the Other Side: American Land, Place, and Region after 1900," Stanley Museum of Art, May 4, 2019–December 31, 2021.

• Matt Bowman, Humanities for the Public Good internship, Obermann Center for Advanced Studies & Iowa City Area Business Partnership, Summer 2022
• Amelia Goldsby, Humanities for the Public Good Internship, Obermann Center for Advanced Studies, Public Space One, Summer 2022

Matt Bowman, Review of Eanger Irving Couse: The Life and Times of an American Artist, 1866-1936, by Virginia Couse Leavitt, The Western Historical Quarterly 51 (Summer 2020): 190-191.  

Monica Vree, Graduate Research Assistant for Paris Past and Present: Enriched Timeline Research Project, UCLA, summer 2021.

• Zhen Zhang, “Replicate or Counterfeit? A Research on Catalog of Southern Song Academic Painting,” Hindsight Is/2021 KU History of Art Graduate Student Symposium, the University of Kansas, February 18-20, 2021 (online)
• Isabel Baldrich, “Black Skin, White Hands: Ambivalence in Girodet’s Portrait of Belley,” American Society for Eighteenth-Century Studies Annual Meeting, April 8-10, 2021 (online)
• Rachael Maxon, “Interpreting the ‘Great’ Tradition: Darius II, Art, and Memory after Darius I,”The American Schools of Oriental Research (ASOR) Annual Meeting, November 12-15, 2020 (online)
• Jessica Davis, "Jeanne Mammen and the Double Standard of Weimar Censorship," The Forty-Fourth Annual German Studies Association Conference, September 30-October 4, 2020 (online)

• Myat Aung, Graduate College Post-Comprehensive Research Fellowship, Spring 2021
• Erin Daly, Graduate College Post-Comprehensive Research Fellowship, Spring 2021
• Jessica Davis, Graduate College Summer 2020 Fellowship
• Myat Aung, Graduate College Digital Scholarship and Publishing Studio Summer 2020 Fellowship
• Rachael Maxon, Stanley Graduate Fellowship for International Research, Summer 2021
• Tina (Zhen) Zhang, Graduate Student Conference Travel Grant, the Center for Asian and Pacific Studies 
• Tina (Zhen) Zhang, Stanley Graduate Fellowship for International Research

• Erin Daly, co-author with Annalisa Azzoni, Christina Chandler, Mark B. Garrison, Jan Johnson, Brian Muhs. “A Demotic Tablet or Two in the Persepolis Fortification Archive,” ARTA: Achaemenid Research on Texts and Archaeology 2019.003 (May 2019): 1-32.
• Elizabeth Spear, "A Nation on Display: Albert Bierstadt, Frederic Edwin Church, and Asher B. Durand." In For America: Paintings from the National Academy of Design, edited by J.W. McCarthy and D. Thompson, 46-53. New York, National Academy of Design, 2019.

• Myat Aung, Graduate and Professional Student Government Travel Grant
• Jacqueline Banigan, Graduate Curatorial Fellow, Stanley Museum of Art

• Myat Aung, “Artifice and Nature at the Villa San Marco in Stabiae, Italy.” SECAC (formerly the Southeastern College Art Conference), Chattanooga, Tennessee 
• Isabel Baldrich, “Black Skin, White Hands: Ambivalence in Girodet’s Portrait of Belley” American Society for Eighteenth-Century Studies Annual Meeting, St. Louis, Missouri
• Jessica Davis, "War of the Vulva: The Women of Otto Dix's Lustmord Series." The Forty-Third Annual German Studies Association Conference, Portland, Oregon
• Anna Isbell, “‘He was false, and I undone!’: The Balladic and Visual Tradition of Betrayed Love, Lost Senses, and Desire for Death,” From Queen Anne to Queen Victoria Conference, Warsaw, Poland
• Rachael Maxon, “Darius I and the Manipulation of Memory at Susa.” American Schools of Oriental Research Annual Meeting, San Diego, California

• Lindsey Birch, “Holocaust-Era Cultural Property Looting: The United States and the Washington Principles,” Art Antiquity and Law 24 (2019): 49-66.
• Lindsey Birch, “Contextualizing Bring Your Own Device Policies,” The Journal of Corporation Law 44 (2018): 156-69.

• Jacqueline Banigan, MuSe Intern, Metropolitan Museum of Art
• Morgan Brittain, Charles M. Russell Short-term Fellowship, Gilcrease Museum- Helmerich Center for American Research

• Lindsey Birch, Graduate and Professional Student Government Travel Grant
• Erin Daly, Stanley Graduate Award for International Research
• Anna Isbell, Graduate College Post-Comprehensive Research Fellowship

• Lindsey Birch, “Henri Matisse and the Pedagogy of Gustave Moreau,” Midwest Art History Society Conference, Cincinnati, Ohio
• Lindsey Birch, “Gustave Moreau: Mythological Bodies and Religious Allegory,” Aesthetics After Biopolitics Symposium, University of Arizona, Tucson, Arizona
• Erin Daly, “The Seal Process in the Persepolis Fortification Archive Project: Rethinking the Methodology of Connoisseurship.” Institut national d'histoire de l'art, Paris, France
• Anna Isbell, “Measuring an Uncontrollable Mind: Feminine Melancholy and Emotional Excess in Nineteenth-Century British Culture,” Interdisciplinary Nineteenth-Century Studies Supernumerary Conference on “Measure and Excess,” Rome, Italy

Kate Kunau, “The Grand Tour: Europe Through Artists’ Eyes,” “Setting the Table: The Still Life in Art,” “If We Ran the Zoo: Animals in Children’s Book Illustration,” “Mike Wilson: One,” “Terra Nova: Power & Protest: Political Photography and Prints,” “Bruce Beasley: Aurai,” “John Beckelman: Horizons,” Cedar Rapids Museum of Art

• Cory Gundlach, “Art & the Afterlife: Fantasy Coffins by Eric Adjetey Anang,” UIMA (Fall 2017): 6-9.
• Cory Gundlach, Catalog entries for selected works of African art from the UIMA permanent collection in What’s Your Sign? Retail Architecture and the History of Signage, edited by VeroRose, 6-8. Iowa City: The University of Iowa Museum of Art, 2017.

• Lindsey Birch, Graduate and Professional Student Government Travel Grant
• Anna Isbell, Graduate College Summer Fellowship

• Lindsey Birch, “Gustave Moreau: Defying Gravity,” Encountering the Body Symposium, Ohio State University, Columbus, Ohio   
• Lindsey Birch, “Gustave Moreau's Human and Mythological Forms," Ohio Graduate Student Art History Symposium, Ohio University, Athens, Ohio
• Cory Gundlach, panelist in “Conversations in the Gallery” on Vision of Nature | Vessel of Beauty, an exhibition of art by Keith Achepohl at the Jordan Schnitzer Museum of Art, University of Oregon, Eugene, Oregon
• Cory Gundlach, “Fantasy Coffins and the UIMA Collection of African Art,” International Programs WorldCanvass event, Iowa City, Iowa
• Anna Isbell, “Too Sentimental for Victorian Taste?: The Question of Suitable Subject Matter in Henry Peach Robinson’s Fading Away,” Midwest Victorian Studies Association on “Victorian Taste,” Oberlin College & Conservatory, Ohio
• Anna Isbell, “’Death Has Left on Her Only the Beautiful:’ Gender, Beauty, and the Dead Body of the Lady of Shalott,” Interdisciplinary Nineteenth-Century Studies Conference on “Odd Bodies,” Philadelphia, Pennsylvania
• Anna Isbell, “Racial Hierarchy and Painting ‘Otherness’: Physiognomy and Symbolism in Théodore Géricault’s Depictions of Black Men,” Consortium of the Revolutionary Era 1750 - 1850, College of Charleston, South Carolina

• Cory Gundlach, Art & the Afterlife: Fantasy Coffins by Eric Adjetey Anang, September 16 – December 10, 2017. Curator, University of Iowa Museum of Art
• Kate Kunau, “The Watercolors of Tara Moorman: Letters to My Ancestors,” “Uncharted Waters: The Fine Art of Watercolor Painting,” “Figure Study: The Body in Art,” “Living Proof: Visualization of Hope,” “Malvina Hoffman: A Sculptor’s Journey,” “Framing the World: The Photography of Linda & Robert Scarth,” “Flight Pattern: Birds in Art,” “Edward Hopper: Selections from the Whitney Museum of American Art, New York.” Curator, Cedar Rapids Museum of Art

• Elizabeth Spear, Junior Fellowship, Frick Center for the History of Collecting
• Lauren Freese, National Committee for the History of Art Fellowship to attend the CIHA World Congress of Art History, Beijing

• Lauren Freese, Ballard and Seashore Dissertation Fellowship
• Mary Springer, Ballard and Seashore Dissertation Fellowship
• Heather Thorpe, Ballard and Seashore Dissertation Fellowship
• Sandra Gómez Todó, Stanley Graduate Award for International Research, International Programs
• Anna Isbell, Stanley Graduate Award for International Research, International Programs
• Alissa Adams, T. Anne Cleary International Dissertation Research Fellowship, Graduate College
• Rebecca Smith, T. Anne Cleary International Dissertation Research Fellowship, Graduate College
• Lauren Freese, Graduate College Summer Fellowship
• Tray Ridlen, Graduate College Summer Fellowship
• Rebecca Smith, Graduate College Summer Fellowship
• Mary Springer, Graduate College Summer Fellowship

Lauren Freese, “Still Life at the Intersection: Louis Lozowick’s Politics and Aesthetics,” American Communist History 15.2 (Spring 2016).

Erin Peters, Recipient of the University of Iowa’s D.C. Spriestersbach Dissertation Prize in the Humanities and Fine Arts

• Josh Hainy, Ballard and Seashore Dissertation Fellowship
• Amanda Strasik, T. Anne Cleary International Dissertation Research Fellowship, Graduate College
• Mary Springer, Graduate College Summer Fellowship

• Elizabeth Spear,  “More Lessons from Church’s Great Picture: Viewer Experience and The Heart of the Andes at the 1864 Metropolitan Sanitary Fair.” College Art Association, Washington D.C.
• Josh Hainy, “Grecian Theory at the Royal Academy: John Flaxman and the Pedagogy of  Ancient Greek Anatomical Study.” Art, Anatomy & Medicine Symposium at the Columbia Museum of Art in Columbia, South Carolina
• Lauren Freese,  “Eating Creatively: William Glackens’ At Mouquin’s, French Restaurants, and the Fashioning of a Creative Space.”  Southeastern College Art Conference, Pittsburgh 
• Lauren Freese, American Antiquarian Culture Center for Historic American Visual Culture Summer Seminar
• Tray Ridlen, “Prud’hon’s Portrait of Josephine: A Novel Fashioning.” Nineteenth Century Studies Association Conference, Lincoln
• Sandra Gómez Todó, “Teresa Cornelys, Elizabeth Chudleigh and the Culture of Masquerade: Depictions of a Female Impresario and her Patroness in the Arts of Entertainment of Eighteenth-Century London.” California State University, Sacramento’s 12^th Annual Art History Symposium

Smith, Rebecca. "Flowers of Fragility: Examining the Structure and Design of Rose Windows." Avista Forum Journal 23:1 (Fall 2014), 52-60.

• Sandra Gómez Todó, Fulbright Grantee
• Josh Hainy, Mayers Fellowship, Huntington Library

• Erin Peters, Ballard and Seashore Dissertation Year Fellowship
• Cory Gundlach, Marcus Bach Fellowship for Graduate Students in the Humanities
• Rebecca Smith, Stanley Graduate Award for International Research, International Programs
• Tray Ridlen, T. Anne Cleary International Dissertation Research Fellowship, Graduate College
• Mary Springer, T. Anne Cleary International Dissertation Research Fellowship, Graduate College
• Alycia Reed, Graduate College Summer Fellowship
• Amanda Strasik, Graduate College Summer Fellowship
• Josh Hainy, Graduate College Summer Fellowship

• Erin Peters, “Augustus as Emperor and Pharaoh in Egypt.” Archaeological Institute of American Annual Meeting, New Orleans  
• Lauren Freese, “Consuming Italians: John Sloan’s Renganeschi’s Saturday Night.” Southeastern College Art Conference 
• Amanda Strasik, “The Royal Mistresses of Eighteenth-Century France.” American Society for Eighteenth-Century Studies, Los Angeles
• Ashley Mason, “The Marquise de Maintenon or La Scarron: Manipulative Dissimulator or Ideal maîtresse du roi?" American Society for Eighteenth-Century Studies, Los Angeles
• Sandra Gomez Todo, “Ellen Terry as an Aesthetic Symbol: The Changing Status of the Actress in Victorian England.” University of London Institute of English Studies’ 7^th annual conference: Victorian Authenticity & Artifice

• Lindsay E. Shannon, “Eve Drewelowe: Feminist Identity in American Art.” Women’s History Review 22:2 (Jan. 2013): 295-309.

• Erin Peters, Chester Dale Fellowship, Metropolitan Museum of Art
• Lynne Larsen, Fredrick Douglass Institute for African and African-American Studies' Pre-doctoral Fellowship, University of Rochester
• Lynne Larsen, Pre-Doctoral Fellowship, Smithsonian Institute (declined)

• Elizabeth Spear, Presidential Graduate Fellowship
• Joseph Montez, Dean’s Fellowship
• Summer Trentin, Ballard and Seashore Dissertation Year Fellowship
• Ranelle Lueth, Ballard and Seashore Dissertation Year Fellowship
• Josh Hainy, T. Anne Cleary International Dissertation Research Fellowship, Graduate College
• Nathan Popp, T. Anne Cleary International Dissertation Research Fellowship, Graduate College
• Erin Peters, Marcus Bach Fellowship for Graduate Students in the Humanities (declined)
• Summer Trentin, Executive Council of Graduate and Professional Students Research Grant

• Josh Hainy, “Artistic Matters of Life and Death in Anatomical Study: Live Models, Cadavers and Ecorche Figures.” Annual Meeting of the American Society for Eighteenth-Century Studies.
• Lynne Larsen, “Post-colonial Identity and Architectural Preservation: The Royal Palace of Dahomey.” Arts Council of the African Studies Association Triennial Symposium on African Art.
• Ranelle Lueth, “Behind the Lines: U.S. Combat Art Featured (or Not Featured) in Magazines.” Southeastern College Art Conference.
• Tyler Ostergaard, “A Franco-London Fog: London, Paris and Industrialization in Monet’s views of the Seine and Thames.” Nineteenth Century Studies Association Conference.
• Tyler Ostergaard, “Impressionist Steam and Republican Nationalization: The Contested Representation of the Railroad in the Press and in Paint at the Third Impressionist Exhibition.” Interdisciplinary Nineteenth Studies Association Conference.
• Tyler Ostergaard, “Breaking the Ice: Monet’s Les Glaçons and the 1889 Monet-Rodin retrospective at the Galerie Georges Petit.” Midwest Art History Association.
• Mary Springer, “Examining American Collegiate Gothic Architecture Afresh.” Architectural Humanities Research Association Symposium, Dublin.
• Summer Trentin “Emulation, Competition, and Association in Pompeii: A Survey of Peristyle Decoration.” Archaeological Institute of America Annual Meeting.
• Allison Phillips, “Mesmerized Dancers and Dreaming Muses.” Visions of Enchantment Conference: Occultism, Spirituality, and Visual Culture. Cambridge University, England.

Lynne Larsen, Fulbright Fellowship, Benin

• Lindsay Shannon, Ballard and Seashore Dissertation Year Fellowship
• Lynne Larsen, Marcus Bach Fellowship for Graduate Studies in the Humanities
• Lynne Larsen, T. Anne Cleary International Dissertation Research Fellowship, Graduate College
• Erin Peters, T. Anne Cleary International Dissertation Research Fellowship, Graduate College
• Heather Thorpe, Presidential Graduate Fellowship
• Erin Peters, Fellowship, Interdisciplinary Project for Advanced Study of Art and Life in Africa

• Emily Kerrigan, “An Artistic and Commemorative Journey through the West: Arthur Wesley Dow’s Images of Arizona and New Mexico.” Southwest Art History Conference.
• Ashley Mason, “Pierre Mignard’s Portrait of Marquise de Maintenon as St. Frances of Rome: The Unusual Invocation of a Saint by a maîtresse du roi.” Southeastern College Art Conference.
• Tyler Ostergaard, “Daumier’s Doubt: The Critiques of the Progress of Industrialization in the Prints of Honoré Daumier during the Second Empire and Third Republic.” Nineteenth Century Studies Association Conference.
• Tyler Ostergaard, "Stories of Smoke: Monet, Caillebotte, and the Gare Saint-Lazare in the Reviews of the Third Impressionist Exhibition." Southeastern College Art Conference.
• Erin Peters, “Rethinking Egypt as a Paradigm of Periphery: The Temple of Dendur within a Global Roman Empire.” College Art Association Annual Conference.
• Amanda Strasik, “Re-Identifying Marguerite Gérard: Gérard's Late Eighteenth- and Early Nineteenth-Century Genre paintings.” Annual Meeting of the American Society for Eighteenth-Century Studies.
• Summer Trentin, “Space in Transition: Public and Private in the Pompeian Domestic Peristyle.” Public and Private in the Roman House Workshop, New York University.

Summer Trentin, Danielle Parks Memorial Fellowship, Cyprus American Archaeological Research Institute

• Lindsay Shannon, T. Anne Cleary International Dissertation Research Fellowship, Graduate College
• Alyssa Adams, Presidential Graduate Fellowship
• Allison Phillips, Ballard-Seashore Dissertation Year Fellowship
• Summer Trentin, Graduate College Summer Fellowship
• Nathan Petersen, Graduate College Summer Fellowship
• Erin Peters, Travel Grant, Executive Council of Graduate and Professional Students’ Professional Development Grants Committee
• Erin Peters, Travel Funds Award, Graduate Student Senate

• Lynne Larsen, “Contesting Power through Architecture: the Capital of Dahomey.” Vernacular Architecture Forum Annual Conference
• Tyler Ostergaard, "Monsters in the Fog: Industry and the Railroad in Manet, Monet and Caillebotte’s Paintings of the Gare Saint-Lazare and the Pont de l’Europe.” European Studies Conference, University of Nebraska.
• Erin Peters, “Issues of Identity in Augustan Art from Roman Egypt.” American Research Center in Egypt Annual Meeting.
• Lindsay Shannon, “Women's Work: Monuments to Nurses in the Wake of World War I.” Women's Organizations and Female Activists in the Aftermath of the First World War International Conference, Hamline University.
• Mary Springer, “Harvard’s Memorial Hall: An Architect’s Vision and Patron’s Wishes.” Midwest Art History Society Conference, Wichita.

• Lindsay Shannon, United States Capitol Historical Society Fellowship
• Summer Trentin, Lewis and Clark Field Scholar, American Philosophical Society

• Alycia Reed, Presidential Graduate Fellowship
• Tyler Ostergaard, Presidential Graduate Fellowship
• Allison Phillips, T. Anne Cleary International Dissertation Research Fellowship
• Summer Trentin, T. Anne Cleary International Dissertation Research Fellowship, Graduate College
• Lynne Larsen, Stanley Graduate Award for International Research, International Programs
• Cory Gundlach, Stanley Graduate Award for International Research, International Programs
• Erin Peters, Stanley Graduate Award for International Research, International Programs
• Allison Phillips, Wilhelm and Jane Bodine Fellowship
• Cory Gundlach, Graduate Student Senate Award for International Research
• Erin Peters, Summer Fellowship, Graduate College
• Steven Kerrigan, Summer Fellowship, Graduate College
• Erin Peters, Executive Council of Graduate and Professional Students Research Grant
• Summer Trentin, Executive Council of Graduate and Professional Students Research Grant
• Erin Peters, Travel Award for Research, Graduate Student Senate
• Allison Phillips, Alexander-Tomasini Travel Fund
• Lindsay Shannon, Travel Award for Research, Graduate Student Senate

• Claire Kovacs, “The Performative Aspect of Secular Veneration: Pompeii as a Tourist Site.” Nineteenth Century Studies Association Conference.
• Claire Kovacs, “Degas and Manzi’s Vingt dessins: Strategies of Reproduction, Dialogues of Exchange.” Interdisciplinary Nineteenth-Century Studies Conference.
• Lynne Larsen, “Royalty in Architecture: Pre-colonial History in Post-colonial Abomey.” Arts Council of the African Studies Association Triennial Symposium on African Art.
• Lindsay Shannon, “Eve Drewelowe: Feminist Identity in American Art.” 19th Annual Conference of the Women’s History Network, Warwick University.