Rebecca Drolen, Visiting Artist in Photography promotional image

Rebecca Drolen, Visiting Artist in Photography

Wednesday, October 7, 2026 6:00pm
Visual Arts Building

Rebecca Drolen (b. 1983) is an artist and educator working in Arkansas. Her photographs are concerned with how individuals visually assemble their identity and the constructed ideals placed on gendered bodily performance. Her work playfully explores the expansive nature of photography in contemporary art as it incorporates built spaces, assemblage and performance.

Drolen’s work has been shown in group and solo exhibitions on a national and international level, within noteworthy venues such as the...

Communal Water, Invisible Labor: Modeling the Social Impact of Pompeii's Street Fountains promotional image

Communal Water, Invisible Labor: Modeling the Social Impact of Pompeii's Street Fountains

Thursday, October 8, 2026 5:00pm
Art Building West

Communal Water, Invisible Labor: Modeling the Social Impact of Pompeii's Street Fountains
Lecture by Matthew Notarian, Associate Professor of Classics, Hiram College

The remarkable preservation of the Roman city of Pompeii provides unprecedented insight into an aqueduct-fed urban water system. Visitors often marvel at the city’s network of public street fountains, but few consider the practical consequences of the tedious but essential labor required to transport water into living spaces...

Burying Tutankhamun: Ritual, Politics, and the Making of a King promotional image

Burying Tutankhamun: Ritual, Politics, and the Making of a King

Monday, November 9, 2026 5:00pm
Art Building West

Burying Tutankhamun: Ritual, Politics, and the Making of a King
Lecture by Nicholas Brown, University of Iowa

Abstract:

This talk explores the state funeral in ancient Egypt through the burial of Tutankhamun, one of the few nearly intact royal burials ever discovered. Dr. Brown will analyze the funerary procession scene from Tutankhamun’s tomb, examining how the royal funeral functioned not only as a religious ritual but also as a carefully constructed expression of politics, power, and succession...